Robin Lane Fox, Homer and His Iliad (London: Penguin Books, 2023), p. 54:
Throughout antiquity, Greek poetry and cult show a strong connection to particular sites and landscapes in the real world. The Iliad already exemplifies it. Homer had visited windy Troy on a clear day when distant Samothrace was visible. He had identified vantage points for the gods and visited them too on either side of the bay on whose shore he placed the Greek ships. I like to think he had walked south, like Chryses, beside the shore of the booming sea and come to the promontory called Chryse and to the sanctuary a little way inland where, for him, Chryses was the priest of Apollo. From there, I take him in my mind’s eye on an uphill walk for several hours on a crisp day in early spring, up through the crocuses which were carpeting the slopes with gold below Gargaron and on to the foot of its grey peak, where he stopped, checked the view back to Troy and made an offering to Zeus.