A Great Impersonal Order

 Edwin Muir, An Autobiography (London: Methuen, 1964; 1940), p. 53:

The animal world is a great impersonal order, without pathos in its suffering. Man is bound to it by necessity and guilt, and by the closer bond of life, for he breathes the same breath. But when man is swallowed up in nature nature is corrupted and man is corrupted. The sense of corruption in King Lear comes from the fact that Goneril, Regan and Cornwall are merely animals furnished with human faculties as with weapons which they can take up or lay down at will, faculties which they have stolen, not inherited. Words are their teeth and claws, and thought the technique of the deadly spring. They are so unnatural in belonging completely to nature that Gloucester can explain them only by "these late eclipses in the sun and moon." In King Lear nature is monstrous because man has been swallowed up in it:

A serving-man, proud in heart and mind; that curled my hair; wore gloves in my cap; served the lust of my mistress' heart and did the act of darkness with her; swore as many oaths as I spake words and broke them in the sweet face of heaven: one that slept in the contriving of lust and waked to do it: wine loved I deeply, dice dearly, and in woman out-paramoured the Turk: false of heart, light of ear, bloody of hand; hog in sloth, fox in stealth, wolf in greediness, dog in madness, lion in prey.

That is a picture of an animal with human faculties, made corrupt and legendary by the proudly curled hair. The conflict in Lear is a conflict between the sacred tradition of human society, which is old, and nature, which is always new, for it has no background. As I sat in that tramcar in Glasgow I was in an unhistorical world; I was outside time without being in eternity; in the small, sensual, momentary world of a beast.